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  • Welcome to Nordnorsk Kunstmuseum's second event in the series “The Butterfly Effect. Can small shifts in museum practice generate seismic change across our societies?” We have invited The artist, Rafiki to give a talk titled "Sheltering OURstories: Between colonial amnesia and Ancestral memory restitution in the museum"

  • We strongly condemn the killing of Israeli and Palestinian civilians taking place in the Middle East.

  • Please join Nordnorsk Kunstmuseum for the inauguration of the new and evolving series The Butterfly Effect: Can Small Shifts in Museum Practice Generate Seismic Change Across our Societies? with a talk by writer and curator Laura Raicovich.

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    The dissertation is about practices at art museums in Norway analysed from the perspectives of institutional critique, feminism and decoloniality.

  • This summer we have daily* guided tours of our two exhibitions, and in the SKAPEverkstedet (Makerspace) you'll find one of our skilled museum hosts who have new activities every day that are suitable for everyone. It's free to sit down in the SKAPEverkstedet, whether you want to join in the day's activity or just do your own thing. You'll find almost anything you can think of to create something here. We also have sewing machines that are ideal for repairing a garment or two.

    The museum follows regular opening hours during the summer, including long opening on Thursdays. 

  • Nordnorsk Kunstmuseum has appointed Veronica Aasgrav Evertsen as Deputy Director. She will start the new position on 1 September 2023.

    Veronica Aasgrav Evertsen. Photo: David Jensen

  • Interview with Katya García-Antón, the director of the Nordnorsk Kunstmuseum, Tromsø 2023. 

    By Marion Bouvier, Hakapik

    Following a couple of troubled years after the museum board fired former director Jérémie McGowan in 2020, the Nordnorsk Kunstmuseum finally got a new director and chief curator on board in august 2022. The museums choice landed on Katya García-Antón, a 56-year-old British-Spanish art historian and curator. 

  • Katya García-Antón at The Sámi Pavilion. Photo by Michael Miller / OCA

    Based on the comprehensive work behind the historic transformation of the Nordic Pavilion into The Sámi Pavilion during her time at OCA, director at NNKM, Katya García-Antón, has been nominated by the art magazine Monopol's Top 100 list at 58th place among the art world's most influential names.

    It is with pleasure that we see that collaborations with Indigenous artists and their perspectives over many years highlighted by The Sámi Pavilion is celebrated. 

  • We congratulate Riddo Duottar Museum on the funding boost in this year's state budget for planning a new Sámi Art Museum. This is an important step for Sápmi, as the museum will be a home for the powerful Sámi collection it has been building over decades. The museum will also play an essential role to nurture and advocate for Sámi world-views through the practices of its artists, duojars and other creative figures. Now we hope that there will soon be a new museum for Sápmi.

    Ollu lihkku, ráhkis Riddo Duottar Museum!

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